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Uber Eats Launches Brand Platform ‘Phew’, via Special

Writer: The Marketer
The Marketer
Sep 14
4 min read

Marking the latest chapter in their nine-year creative partnership, Uber Eats and Special have unveiled a new brand platform, ‘Phew’


The platform moves beyond proving the breadth of Uber Eats’ grocery, retail, and food offerings, capturing instead the unmistakable feeling of relief that comes with getting everyday essentials delivered right when they are needed most.


The shift follows four years of the impactful ‘Get Almost, Almost Anything’ campaign, which successfully broadened perceptions of Uber Eats beyond takeaway and was rolled out in more than 17 international markets. It succeeded the platform that kicked off the partnership

nine years ago, ‘Tonight, I’ll Be Eating...’, which also scaled across the globe. 



Thanks to four years of consistent investment in ‘Get Almost, Almost Anything’, Australians are now fully accustomed to the app’s extensive range and promise to ‘get anything’ delivered at the tap of a button. ‘Phew’ shifts focus from utility to the emotional value of on-demand convenience. This was based on extensive ethnographic research that surfaced the guilt people still feel around paying for some types of convenience, despite the mounting stresses of modern life. ‘Phew’ seeks to alleviate this tension and continue to normalise on-demand delivery as a solution to daily pressures. 


At the heart of the platform is that familiar feeling: the weight lifted off your shoulders when what you need, or simply crave, arrives at your door without adding another task to an already full day.


To launch the platform, the launch campaign travels back to a time "B.U.E." (Before Uber Eats). The launch film follows protagonists Sam and Ollie in 2013, in their journey to make dinner, forced to track down dinner ingredients the old-fashioned way. Their inconvenient journey through the B.U.E. era is packed with 2013 cultural nostalgia, featuring cameos from LMFAO's Redfoo and a pre-stardom Troye Sivan.


Nicole Bardsley, Director of Marketing, Uber Eats ANZ, said,

"Over the last four years, we’ve built incredible familiarity around the promise to ‘get anything’ delivered to your door. With ‘Phew’, we’re tapping into something deeper - the emotional relief of this convenience. Special has once again delivered a platform that reflects how Australians live today, combining sharp cultural insight with high-craft entertainment." 

Celia Garforth, Special CSO (Uber APAC), added, 

“’Phew’ represents a critical strategic shift for the brand. As the on-demand food delivery category has matured over the past decade, they no longer need to drive basic awareness of what they do, but instead focus on why it brings value to people’s lives. Uber should be applauded for the brave simplicity of owning a single, highly distinctive word - in fact, sound! - that exactly captures the essence of how we want people to feel when they think of the brand.”

Simon Gibson and Nils Eberhardt, Special ECDs, said,

"Evolving a brand platform after four incredible years of ‘Get Almost, Almost Anything’ is a rare creative challenge. ‘Phew’ allows us to pivot from functional awareness to emotional connection. Transporting people back to 2013 was a fun way to remind everyone just how friction-heavy life was before on-demand delivery became second nature." 

The hero film is supported by impactful OOH, audio, and social creative capturing universal ‘Phew’ moments, from discovering you're missing a vital component midway through a DIY project to the instant relief of an end-of-week craving arriving at your door.


Uber Eats Launches Brand Platform ‘Phew’, via Special. OOH examples pictured.

The integrated national campaign will roll out across TV, BVOD, online video, YouTube, social, radio, digital audio, OOH, DOOH, CRM, custom high-impact special builds, and consumer activations.



CREDITS

Uber Eats

Senior Director, Head of International Marketing: Lucinda Barlow

Director APAC Marketing: Ally Doube

Director of Marketing, ANZ: Nicole Bardsley

Sr. Marketing Manager, ANZ: Rebecca Macciolli, Dan Greenberg, Tom Walter

Global Creative Director, APAC: Adam Ledbury

Media Lead, APAC: Rob Maddison

Legal, ANZ: Michael Coutts

Communications Manager, ANZ: Joshua O’Connor

Social Media Manager, ANZ: Haley El

Head of International Marketing Strategy: Josh Pickstone

 

Special

CEOs/Partners: Lindsey Evans & Cade Heyde

CCOs/Partners: Tom Martin & Julian Schreiber

Executive Creative Directors: Simon Gibson & Nils Eberhardt

Creative Directors: Joe Ranallo & Will Winter-Irving

Creative Team: Hannah McCowatt & Laura Grimshaw

Managing Directors: Tori Lopez & Lauren Portelli

Team Leads: Laura Little & Rachel McEwen

Senior Business Director: Charlie Keeble

Business Managers: Tamara Young & Annabel Malouf

Chief Strategy Officer (Uber APAC): Celia Garforth

Senior Strategy Director: Henry Bilson

National Head of Production: Tash Johnson

Executive Producer: Tania Jeram

Social Producer: Olivia Jeavons

Stills Producer: Di Williams

Head of Design: Adam Shear

Designer: Hamish Kennelly

Production Assistant: Serina King 

Senior Video Editor:  Aleks Manou

AI Artist and Creator: Nathaniel Kiwi

National Head of Social (PR): Maddie Marovino

Creative Strategy Director (PR): Kate Wilkinson

Senior Social Media Manager (PR): Niamh Thompson

 

Production Company: 3and7                             

Director: Steve Ayson                                            

Cinematographer: Sam Chiplin                                       

Producer: Allison Lockwood                                             

1st AD: Jeremy Fitzgerald

Production Designer: Nicki Gardiner                            

Costume Designer : Joanna Mae Park                          

Casting Director:  Natalie Harvie - Citizen Jane        

 

Post Production

ARC                                                                                               

Edited by Jack Hutchings                                                  

Assisted by Jack Charter                                                     

Coloured by Trish Cahill                                                      

Finished by Jesse Meha and Viv Baker          

Finish Assisted by Tina Giannoulis

Produced by Sally Quade                                                   

EP Winnie O’Neil                                                                    

 

Sound: Studio Tonic                                                              

Lead Sound Designer: Cameron Milne                        

Sound Producer: Luci Doling 

 

Social:

Director: Matt Sav

Cinematographer: Trudi Gultom

Camera Assistant: Christine Anderson

Gaffers: Tahira Donohoe-Bales & Deniz Celik (Maxed Out Films) 

Lighting Assistant: Pat Lenzner

Sound Operator: Steve de Souza

Production Designer: Abbey Ling Thorley 

Art Assist: Calum Wilson Austin

Stylist: Alex Greenhalgh  

Offline Editor: Matt Sav & Stewart Arnott

Online Editor & VFX: Augusto Ketlika Jr. 

Sound: Jackson Lister - Studio Tonic 

 

Music Supervision: Level Two Music + Mayflower                                    

                                                                                                                       

Talent Agency: Mayflower

 

External Legal: CIE

 

Media Agency: EssenceMediacom

 

Retail Agency: RX

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